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 unveils an exhibition of This Place Thursday, February 1, as part of a dynamic cooperative among four upstate New York schools designed to enhance opportunities for cross-disciplinary learning in museums.

Part of a massive, international project conceived and orchestrated by French photographer Frédéric Brenner, features a variety of perspectives on Israel and the West Bank. �Ա���Ƶ’s portion of the exhibition features photographs taken between 2009 and 2012 by Josef Koudelka, Rosalind Fox Solomon, Thomas Struth, and Nick Waplington. Each of these renowned photographers brings a unique approach, style, and history to reveal a complex, fragmented, and paradoxical portrait of the land and its peoples.

The photographs on view at �Ա���Ƶ until May 20 represent about one-fourth of the full traveling exhibition. The Picker has partnered with the Tang Teaching Museum at Skidmore College, the University Art Museum at the University at Albany, State University of New York, and the Wellin Museum of Art at Hamilton College to present all four portions of the exhibition concurrently. This collaboration, organized by professors and museum staff at Skidmore and generously funded by the Teagle Foundation, aims to investigate and develop innovative approaches to teaching and learning with exhibitions at academic museums.

�Ա���Ƶ professors in disciplines ranging from the arts and political science to history, religion, theater, philosophy, and creative writing will be incorporating This Place into their spring-semester courses.

Prior to this university collaboration, This Place originally opened in 2014 at the DOX Centre for Contemporary Art in Prague, from there traveling to Tel Aviv and West Palm Beach. While on display at the Brooklyn Museum in 2016, the show became the focus of controversy and criticism in news media and arts journalism. The critique centered around the fact that none of the 12 featured photographers are from Israel or Palestine, but rather offer “outsiders’” perspectives — and, arguably, sanitized or aestheticized ones — of a fiercely contested and politically fraught region.

As a result, what might have previously been seen as a high-status collection of important art photographs is now a focal point for examining the complexities of neo-colonialism, neo-liberalism, the relationship between cultural institutions (“soft power”) and political power, the contested right of representation, and the multiple meanings of works of art.

and professor , who will be using This Place for half of her Arts 255 course Museum Exhibitions: Design, Rhetoric, and Interpretation, said the exhibition is ripe with opportunity for debate and contextual analysis.

“Its controversial nature will enhance classroom discussion, because there are so many ways to look at this material, and real people have already staked so many competing claims to it,” Marlowe said. “It’s sort of a pre-made teaching unit, with an opportunity for deep critical thinking and for our students to discover for themselves that there are multiple ways to see a single object.”

For , a history professor, This Place presents a special cross-disciplinary learning opportunity for his Politics of History course. Karn’s students will join their peers in both a philosophy and an art history course when they travel to the other exhibition locations in March.

“The Teagle grant is about the potential of object-based teaching. It’s not just about artworks, it’s about artifacts and material objects, more generally,” Karn said. “We are a place devoted to the broadening of horizons and the thoughtful navigation through important debates, and that’s what makes this so perfect for a liberal arts exploration.”

Related �Ա���Ƶ Community Events

February 1, 2018
Exhibition Opening Reception at the Picker Art Gallery
5:00–7:00 p.m., �Ա���Ƶ, Picker Art Gallery, Dana Arts Center
5:30 p.m., opening remarks by Anja Chávez, director of university museums, and Nicholas West, curator of collections, Picker Art Gallery

February 19, 2018
Gallery talk with Rosalind Fox Solomon
12:30 p.m., Picker Art Gallery, Dana Arts Center

THEM: Artist Talk by Rosalind Fox Solomon
4:30 p.m., �Ա���Ƶ, Golden Auditorium, Little Hall 105

This Place artist Rosalind Fox Solomon will speak about the people and the places in her series of photographs, THEM, on view in the exhibition.

Wednesday, March 7
Whose Jerusalem? Archaeology and Religious Tourism as Rituals of Control
Neil Silberman, University of Massachusetts, Amherst
4:30 pm, Golden Auditorium, Little Hall 105
Part of the Art and Art History Lecture Series

Thursday, March 29
In Place, Out of Place, Out of Space: Palestinians and Jews in the West Bank
Ian Lustick, University of Pennsylvania
4:30 pm, Persson Hall Auditorium

April 13, 2018
Koudelka: Shooting Holy Land, screening and Q&A with director Gilad Baram

A collaboration between the Picker Art Gallery and the Film and Media Studies Program’s Friday Night Film Series. Supported by the Fund for the Study of World Religions. 5:00 p.m., Hamilton Movie Theater, 7 Lebanon Street, Hamilton, N.Y. 13346

Gilad Baram, assistant to This Place artist Josef Koudelka, follows the photographer on his journey through the Holy Land from one enigmatic and visually spectacular location to another. In each location—soon to become a “Koudelka photo”—a new scene unfolds, gradually introducing us to Koudelka’s method of working, as well as his perception of the world he is documenting and the people he encounters.

Wednesday, April 18
Walkthrough: Artist talk by Walid Raad
4:30 pm, Golden Auditorium, Little Hall 105
Part of the Art and Art History Lecture Series

Visit and select “Exhibitions” for a full listing of exhibition-related events.
(Image credit: Thomas Struth, Har Homa, East Jerusalem, 2009. Archival pigment print. © Thomas Struth.)